To follow up on our little chat yesterday, here are some thoughts:
-If you can't speak the text in or out of rhythm, without tripping, you don't really know it.
-If you can't sing it perfectly (notes and rhythms absolutely correct) while looking at it, you really don't know it.
-If you only get it right sporadically, you don't know it. It MUST be automatic before you can make music, make art, make drama.
After the play and the choir concert, refocus your efforts if necessary. Take this weekend, if you need, to tend to these things. Drill it daily if you must.
I finished yesterday's talk with the thought, "Keep the drama on the stage." Steven Pressfield says it quite well in his book, The War of Art:
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
Once you get the grunt work done, then we can truly bask in the joy of making art. But not before.
When in doubt, re-read your "How to practice" sheet, given to you the first Friday class of the semester. More tips from a pro (...
Jim Brody has mentioned on several occasions the Five Tasks we can embark upon during constructive rest. These were penned by Barbara Conab...
The following people have not submitted schedules: Alyse Kristin Mallory Today is January 2, and that was your deadline. Submit immedi...
Folks, Here is the schedule as it stands now. Please contact me immediately if somehow I've omitted you or scheduled you during a time...