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Tuesday, September 20, 2016

Expectations

Folks, a few of you have asked about my expectations for AMAHL rehearsals. These are outlined quite clearly in the syllabus. If it helps to have them reiterated here, they are included below.


  • It is expected that you know your music when you come into to rehearsals. Rehearsals are not the time to teach notes: that is your job, outside of class. This means correct notes and correct rhythms from the very first time you sing your part in class. A right note at the wrong time is a wrong note. If rhythm is your weak link, start by speaking the text in rhythm, then adding pitches, under tempo at first. DO NOT RUSH the process: unlearning mistakes is much harder and time-consuming that simply learning things slowly and correctly in the first place. 
  • It is expected that any mistakes we correct in rehearsal stay corrected. Retention is a large part of your grade. Making sure that you integrate any corrections, breath marks, diction directions, at the like is part of this. Your practice time outside of class is meant to be spent doing this.
  • It is expected that you have a pencil at all times so you can mark any directions in your score. Otherwise, you won't remember them when you leave class! As I was always told as a student: a singer without a pencil is a singer without a job.
  • It is expected that you arrive on time, ready to work, with a great attitude. This has not been a problem in any way this semester, but it never hurts to have this as a reminder of basic professionalism. Being supportive of each other is vital. Not talking while others are working is crucial. Talk during breaks, and never talk while the director or conductor is working with anyone, whether it's you or someone else.
We only rehearse twice a week, which is a very light rehearsal schedule. That means the responsibility is on you to do the work outside of class. Most shows rehearse 5-6 nights per week: I am respecting your many commitments by not insisting upon more time.

It is also worth noting that in the real world, it is expected that professionals arrive at the first opera rehearsal with music not only learned perfectly, but also memorized. Realize that this is a very forgiving process in an academic environment. If you are falling short of my very easy expectations here, you will never perform for long. Meet or exceed my expectations, and you'll have a shot.

The grading scale from the syllabus is below. I look forward to your fabulous work!


Class participation          50% (Music / blocking learned completely, correctly, and on time)
Performance             40% (Retention of what we polished and addressed in rehearsal)
Reflections                       10% (Critical observations of your performance and/or others’)

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